Year: 2006

Technological paradigms in industrialization and their influence inthe design field (Portuguese Only)

Type: Paper
Year: 2006

Abstract: In this work, we intend to contribute to the definition of an epistemologyof design, including an understanding of the role of technology and its influence in the field of design. We’ve considered three industrial periods, choosing the most relevant technology of each, in our opinion:iron, electricity, and the microchip. Then, we try to establish the effect on industrial design and the consequent social impact.

Authors:

Kosminsky, Doris

Palavras chave:

The news image. Graphic panorama of Brazilian TV news: An analysis of the Jornal Nacional’s over-the-shoulder- graphics

Type: Master Thesis
Year: 2003

Kosmisnky, Doris Clara; Coelho, Luiz Antonio L. The news image. Graphic panorama of Brazilian TV new: An analysis of the Jornal Nacional’s over-the-shoulder graphics. Rio de Janeiro, 2003. 116p. MSc. Dissertation – Departamento de Artes e Design. Pontifícia Universidade Católica do Rio de Janeiro.

Abstract
Brazilian graphic design for television is recognized as an important tendency in visual arts. The graphic deisgn made for TV news is, however, very specific. It has to accomplish the same commitment to ethics and truthfulness that belongs to text journalism. The over-the-shoulder is a graphic product that best represents the connection between information and esthetics. It is a composition of graphic elements, placed beside the presenter or anchor, aiming to reinforce or complement the subject that is resented. In this research, four hundred images of Jornal Nacional’s over-the-shoulder images, exhibited between 1983 and 2002, were selected. In the analysis, five esthetic styles were identified, establishing a relationship with the techniques employed in production and exhibition of the over-the-shoulders. The present dissertation also studies the over-the-shoulder as synthetic interpretation of social phenomenon.

Authors:

KOSMINSKY, Doris Clara; Coelho, Luiz Antonio L.A

Palavras chave:

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